1. Blog post (re: your choices on final credits soundtrack, gunshot sequences, or other elements AND 

plans for another blog post about what got you into history --story about home on underground rr). 

If you'd prefer to begin with the one about your history and leave the other until next week, that's great 

too. I'd just like to see at least one of those this week. Some good readin'!

2. Annotations for "A Clear Channel," #57, 59

3. (If time after completing the

above items) review "Still Searching" to be sure you have what you need to begin final edits on it Monday

1. The following annotations for "A Clear Channel" -- 41, 45, 46, 47, 48, 49, 60

(all would be great but a good portion by Friday

would be the primary goal here; let us know if you run into any difficulties with this; incomplete is fine if 

it needs to be at this point; we'll come in after and expand further)

2. (If time after completing the above items) review "Still Searching" to consider edits needed

beyond just replacing audio. 

NOTE: we will want/need to keep the timestamps as is so edits will need to be pretty minor 

at this point--at least beyond replacing any existing artififacts with same timing. 

Kelly

 The following annotations for "A Clear Channel" --

35, 37, 38, 39, 40, 42, 50, 51, 53, 54, 55, 56, 69, 70, 80

(all would be great but a good portion by Friday

would be the primary goal here; let us know if you run into any difficulties with this; incomplete is fine if 

it needs to be at this point; we'll come in after and expand further)

1. Complete source list for "A Clear Channel" and translate all relevant timestamps to seconds for

Shiva to upload into popcorn. 

2. Record OH with us/me in Tyler Thursday afternoon at 1:00? If available, it will be a lunch with M. Evans 

at 1:00, then to his daughter's house for interview. We can be done and leaving Tyler by 4:30. 

3. Burn copies of latest version of "A Clear Channel" for playback on DVD player (righ

now for John Carlos, Belford Page, Joe Tave, Salvatore Attardo, Hunter Hayes, Larry Lemanski, and

Dan Jones, though we will need others soon)

4. If time before deadline, do #4--otherwise leave until Monday:

Follow up with Archives on Oral Histories for you sent over last month. Also see if they have completed

the digitization of Joe Tave's materials. Finally, check with Kelly to see which of our interviewees 

are still missing the oral histories recorded (IE: did Gwen Lawe ever receive hers? Carleton Cooper? Noah 

Nelson?). If any are missing, please prepare them for these individuals and get them to Kelly. She and 

I will write up appropriate thank you letters and send them where they need to go. 

NOTE: I will be in Sante Fe Wednesday through Sunday

but I would like you to meet. I'll visit with 

KD about plans and have asked her to 

take lead on working through agenda and 

communicating with me regarding 

progress and needs

1. 

AS: SC will offer notes on ACC for revision sometime over weekend. We can 

discuss and then you spend Monday getting these completed, at least as a first pass.

All: Ensure AS has all he needs to complete edits for ACC. Review edits

carefully and have them ready as early as possible Monday. We'll have at least one

more round of edits on ACC. AS can work through at least those for which

artifacts are available.

Upload edits for entire ACC project for our review

meeting today instead of Monday (10:30)

@meeting: Review edits on ACC. Prepare for one more round of edits on same

More details TBA